Artist statement: “This series is the result of an exploration into the complex composition of an image. A digital photograph is comprised of pixels that appear as dots. Similarly, a painting is the sum of many brushstrokes. When I arrange my installations, I use common and literal objects, such as flowers and candy. Each individual flower or piece of candy, or other piece of material, is representative of a pixel or a brushstroke. It could be described as ‘painting with flowers’. The viewer can choose to either see the subject, such as a dot in this work (a highly divers symbol), or the substance from which it is constructed, such as flowers. The artworks; A Brushstroke of White & A Brushstroke of Colour and White Pixels & Colour Pixels acknowledge the fundamental and essential building block elements of the image; the pixel and the brushstroke.”
Crystal Archive paper face mounted with silicon based liquid onto 10mm thick glass and a brushed aluminium backing; along with aluminium frame list for hanging.
Sizes: 100x100cm, and 120x120cm.
Limited edition of 6.
Signed by the artist and accompanied with a numbered certificate of authenticity.
Price upon request. For more information see contact.
Artist statement: “This series is the result of an exploration into the complex composition of an image. A digital photograph is comprised of pixels that appear as dots. Similarly, a painting is the sum of many brushstrokes. When I arrange my installations, I use common and literal objects, such as flowers and candy. Each individual flower or piece of candy, or other piece of material, is representative of a pixel or a brushstroke. It could be described as ‘painting with flowers’. The viewer can choose to either see the subject, such as a dot in this work (a highly divers symbol), or the substance from which it is constructed, such as flowers. The artworks; A Brushstroke of White & A Brushstroke of Colour and White Pixels & Colour Pixels acknowledge the fundamental and essential building block elements of the image; the pixel and the brushstroke.”
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